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An Ongoing History of the Computers & Music LogoComputers & Music is a retail store, the first of its kind when established by Joe West in Daly City, California in 1982. The identity of the commercial artist who designed the first logo in 1983 (to the left) is, unfortunately, unrecalled at this time, but I can say that the font chosen was GillSans Ultra Bold with a GillSans Extra Bold ampersand. Several versions of the Computers & Music logo evolved, largely retaining the GillSans family, and, unless otherwise noted, were created by Jane Marie Cleveland. Some were created speculatively, and never utilized. Pertinent captions appear under the illustrations. Link to Computers & Music site |
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The above basic logo was created around 1995 and has appeared in mailers, on envelopes, rubber stamps, advertising, the catalog, the web (until 2001), business cards, the Geary store window, and big black plastic display letters (just waiting for jane to get a ladder and put them back on the wall, as they were at 649 Mission). Design considerations: The previous logo had been created using the GillSans font family and Paul Craner had specified GillSans extensively in the Computers & Music print catalog, so it was a natural choice for maintaining a sense of continuity. Why the big ampersand? Keeping the "&" at the same font size as COMPUTERS and MUSIC, made it appear a little wimpy and not logo-like, once the musical notes were dropped from the logo. Since an ampersand is visually very similar to the musical treble clef, it was easy to justify emphasizing it. The ampersand was blown up just until its upward swoosh would match the height of COMPUTERS and MUSIC.
Logos for the web: I don't recall the first C&M web banner, but around 1998-99, Alan Stewart scanned Jane's mailer version of the basic logo and added a filter or two. The good news was that our logo was on the web. The bad news was that it was busy and not crisp (no image available). In 2001 Matt Scully created a good-looking but radically departing web logo with lower case letters, and a thinner, serif font (no image available). In 2002 Alan returned with a new logo (immediately below) with the Impact font that he said was the closest he could find to GillSans, but he also used lower case letters - although Impact has short descenders.




The top banner, above, is the current (March 2002 - December 2002) online design created by Alan Stewart. He said he used the lower case Impact font because he didn't have GillSans and Impact was as close as he could get. The bottom 3 variations of the current web banner, were created in Aug/Sept 2002 by Jane to reintroduce the "original" GillSans logo into the current webpage format with as little interruption in visual continuity as possible.
Current considerations and rationale for "adjusting" the basic font: It is important to keep a basic "brand" visual identity. To that end, the following are unchanged: 1) text remains all caps, and 2) COMPUTERS and MUSIC remain GillSans Ultrabold Condensed @ 90% width. The ampersand remains GillSans Ultrabold, but the font size is now equal to COMPUTERS and MUSIC and the width is 200% [when displayed on one line] or 260% [when displayed on two lines], instead of 150% (to maintain a visual balance and retain the same extra "fatness"). Why shorten the ampersand? 1) It saves crucial pixels when applied to the web, and for the same reason, COMPUTERS & MUSIC would best be displayed on the web in one line. and 2) Jane likes it.

The above variation has been seen once in Electronic Musician and 4 or 5 times (sans color) in the SF Smart Yellow Pages® (not this year, though - sorry - but same fonts/caps/proportions). The "Serving performers..." tagline has been with us a long time.


One of the two above banners, I don't remember which, appeared on PacBell's SmartPages® website from summer 2001 to fall 2002.
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Left, logo from seminar mailer, September 2002 |
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Above left is the current (November 2002 - December 2003) Yellow Pages ad. Shown at larger that actual size, it is a smaller ad than we had had in previous years and because it is in "portrait" format, rather than the previous "landscape" format, it was neccessary to squeeze the kerning in order to get more height, and hence, more attention to the key word "computers" in the Musical Instruments Retail section of the Yellow Pages. Above right is the source design, circa 1999, created for fun in Painter and Photoshop.
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Above left is the insurgent logo designed by Matthew Scully
and installed at the website in December 2002.
Above right is the deposed, template-ready logo designed by Jane
who has been grinding her teeth and knotting her stomach in exile.

Above is just an example of creating variations in the basic logo without changing its essential configuration. The benefit of changing the "tagline" to "software hardware and know-how since 1982" is that it is rhythmic, pithy, and hence, easy to remember... I don't like the idea of changing the tagline, but whatever happens, it is essential to retain that "since 1982"
Following are some more possibilities and links to prototype spec webpage redesigns:





spec webpage 2
spec webpage 3
spec webpage 4
spec webpage 5
All logos are the trademark of Computers
& Music.
Page posted 9 December 2002